About ME
I’m a performer, operator, and cultural translator working at the intersection of comedy, cannabis, and emerging media.
I was originally trained as a dancer, disciplined, physical, and performance-ready long before I ever picked up a microphone. Dance shaped my body, but comedy shaped my voice. While movement taught me structure, humor taught me truth, and it eventually became the medium through which I understood myself most clearly.
In 2011, my life took an unexpected turn outside a comedy club in Florida. At the time, I was preparing to pursue a master’s degree in Computational Linguistics, building on bachelor’s degrees in Linguistics and Computer Science. A routine cannabis stop, part of a police training exercise targeting young people, abruptly derailed that path. What could have ended everything instead became the catalyst for a deeper reckoning with systems, stigma, and storytelling.
I chose the microphone.
Stand-up comedy became both refuge and rebellion, a way to process injustice, identity, and absurdity with honesty and wit. Comedy remains central to my work today, informing everything I write, perform, create, direct, and build.
Alongside my creative life, I’ve spent over a decade deeply embedded in the cannabis industry. I work as a retail operations leader, consultant, and strategist across cannabis, hemp, and psychedelic-adjacent businesses. My experience spans dispensary operations, marketing systems, technology integrations, distribution support, and brand strategy in highly regulated and rapidly evolving markets. I’ve also hosted a cannabis talk show on television, helping normalize thoughtful, nuanced conversations around the plant, policy, and culture.
My work in cannabis is not just professional, it’s personal. I care deeply about destigmatization, education, and advocating for those harmed by prohibition. I see this industry not only as a business ecosystem, but as a cultural movement with real responsibility.
My online presence and social media work reflect the same ethos: smart, funny, unfiltered, and human. Platforms like OnlyFans have been part of my entrepreneurial story as well, not as spectacle, but as autonomy. It gave me a way to clear debt, control my narrative, and connect with audiences outside traditional gatekeeping systems. And yes, humor is still the throughline.
Today, I move fluidly between stages and strategy, comedy and consulting, performance and operations. My path has never been linear, but it has always been intentional. I believe laughter is a tool, systems deserve scrutiny, and the most interesting lives are built at the intersections.
Welcome to my world.